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Laughter on the 23rd Floor, by Neil Simon
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Full Length, Comedy
Characters: 7 male, 2 female
Interior
Inspired by the playwright's youthful experience as a staff writer on Sid Caesar's Your Show of Shows, with all the attendant comic drama as the harried writing staff frantically scrambles to top each other with gags while competing for the attention of star madman "Max Prince".
"Old style comedy: fast and furious."-The Wall Street Journal
"One of [Simon's] funniest...Comedy, comedy all the way."-Newsweek
"Enough laughs per minute to assure [it] a long run and many happy audiences."-USA Today
"The funniest comedy on Broadway in years and likely to remain the funniest comedy on Broadway for years."-Variety
- Sales Rank: #926658 in Books
- Published on: 2010-12-15
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .22" w x 5.00" l, .25 pounds
- Binding: Paperback
- 108 pages
About the Author
America's most prolific and beloved playwright, Neil Simon is the author of more than two dozen plays and screenplays. In 1990, he was awarded the Pulitzer Prize. He is also the winner of three Tony Awards. Simon splits his time between New York and Los Angeles.
Most helpful customer reviews
19 of 19 people found the following review helpful.
It Only Laughs When I Hurt
By idaho_cure@hotmail.com
It was de besta times, it was de woista times. It was T.V.'s golden age. It was T.V.'s greatest shame. It was de oily '50s and a roomful of writers was puttin' togedda a weekly T.V. show dere.
Neil Simon's Laughter on the 23rd Floor takes us inside the crazy angry frightening competitive creative wonderful writer's room of an early '50s T.V. comedy variety show. The cast, faced with dropping ratings and red baiting try desperately to keep their jobs and maintain the show's high standards in the only way they know how -- by wisecracking their ways through the crisis.
Max Shields, the star of the show, is a thinly disguised Sid Caesar, for whom Simon wrote in the 50s. In Laughter we follow Max's disintegration from exhaustion and alcohol as he tries to cope with interfering network executives who continually cut his budget, shorten his show and try to force him to "dumb down" the content. Under the constant belly laughs delivered by Max and his writers, exists a classicly tragic character whose fatal flaw is his loyalty to the crew of writers that make him look good.
Simon uses the ensemble cast to revisit a time when people lived in fear. Each writer makes his or own personal journey in the confines and context of daily writing slams. Milt, the king of the one-line put down, who wears cowboy boots to Christmas parties and outrageous suits to work because he fears he's not as good as anyone else in the room. Stressing quantity over quality as his strength, Milt explains, "When Max laughs, my kids eat."
Carol, the only woman on the staff, is 8 months pregnant. Yet, she explains that she has no desire to be known as a woman writer -- she wants to be known as a good writer -- even if she has to be one of the guys to do it.
Each character in this Simon masterwork is lovingly drawn and viciously parodied. And it is each character's ability to survive the angst of the red-baiting, money-driven, creativity stifling era that makes Laughter on the 23rd Floor a must read.
2 of 3 people found the following review helpful.
Enjoyable.
By MAB
"Laughter on the 23rd Floor" is a very funny play, with its dramatic points strewn along. The dialogue is extremely funny and witty, but the language at times can be profane. I can see Simon's "Brighton Beach Memoirs" in there a bit, and he doesn't stray too far from a writer's life and dream. A nice play - I recommend.
3 of 9 people found the following review helpful.
Funny but probably too American
By A Customer
I feel that Laughter on the 23rd Floor is funny but the jokes are probably too American. One of the biggest flaws of the play is that the characters are stereotyped. They lack depth and therefore, the audience don't really feel for or associate with them.
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