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Technical Exercises for the Piano (Alfred Masterwork Edition)From Alfred Music
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This 223-page edition is comprised of 86 different technical exercises composed by Liszt during 1868 to 1880. Liszt intended these highly challenging exercises to build greater performance skills in virtuoso pianists. The complete series consists of twelve volumes, each one dealing with a different pianistic problem. This edition has been compiled from the original set to present the exercises in a reasonable length without harming the essence and effectiveness of the original work.
- Sales Rank: #656154 in Books
- Brand: Alfred Music
- Model: 00-630
- Published on: 1971-06-01
- Original language: English
- Number of items: 1
- Dimensions: 11.75" h x 9.00" w x .50" l, 1.65 pounds
- Binding: Paperback
- 224 pages
- Manufactured to the Highest Quality Available.
- With True Enhanced Performance.
- Latest Technical Development.
Most helpful customer reviews
8 of 8 people found the following review helpful.
the final piano exercise books
By David A. Caufield
So you've made it through all the Schmitt, Hanon, Hertz, Cortot, Czerny, etc. exercise books. You feel confident about your abilities to play any 5-note phrase in any order and any key. Scales in 3rds, 6ths, and octaves? No problem. You doubt there are any piano exercises you COULDN'T do with aplomb and finesse.
My friend, it's time for these Liszt Technical Exercises to see what you're really made of.
These are not simple exercises. Oh sure, they start out simple, like they always do, but from there...let's just say you'd better have a pretty advanced technique to play these up to speed. As others have mentioned, dynamic markings make their presence felt, and you'd better know how to deal with them. But that's not really the crux of these exercises. They are made for advanced pianists with advanced technique, so unless you have it, I recommend going back to some easier exercise books (as mentioned above) and making sure you can play those at an advanced speed (108bpm tends to be the objective).
To sum up: this is the final book of piano exercises you'll ever need. Start with Schmitt and end here. In the meantime you'll have enough technique to tackle ANY existing piano piece. And when you finish, know that the only thing standing between you and concert piano stardom is YOU, because certainly you have the raw ability to play any piece you want.
6 of 6 people found the following review helpful.
Thank you Robert Goldsand, My Great Master Teacher
By suezenne fordham
I heartily recommend this volume of really good tecnic building exercises for the serious concert pianist The fingerings of octaves,Double sixthe AND the Double Thirds are for the most part spot on. I commend Amazon for carrying such reallt good informational volumes for the aspiring Artist.
I studied many years with Robert Goldsand, who studied with Moritz Rosenthal, who studied with FRANZ LISZT!!! One of the staples of the tecnical repertoire[under Goldsand] were the scales in Double Thirds and Double Sixths.Alas after carefully scrutinizing the fingerings of the Double Thirds and Double Sixths, I found a few differences of opinion with Herr Goldsand.... but there is enough information there that you will still get usable information for developing your tecnic!!! Enjoy, and "Courage" as Goldsand's advice used to be!
13 of 16 people found the following review helpful.
A Challenge but......
By Pianist
in my opinion it helps emensly!
some of the pieces i was working on caused pain in my hands and back. i talked with a friend and they said that i dont enough strength in my fingers to play my pieces well in tempo and correctly. they suggested holding down four notes and playing the remaining finger. when i got home that night i looked in my library passed Brhms and Crammer and Czerny and yes even Hanon and found Liszt! i looked at the first exersise and i played through it a few times (id changed the fingers being played but stayed in the same key). it took about an hour. one thing the first exercise told me was what fingers i needed to work on! i talked with my teacher and she told me i can go on and work from Liszt but: DO IT SLOWLY and CONSENTRATE on a VERY LOOSE WRIST and finger development.
the strong accents can be a little tricky but after youve done it for a week or so it can be quite fun! it helps with accenting beats other than beat one! after finger controll has been established then you can play the full range of dymanics. in the first few numbers, fingers four and five are going to be the biggest challenge but if done properly it will soon pay off! after playing just the first five numbers in the book, i felt light in the fingers and not tensed. and thats one thing we cant have when playing pieces!
i used to start my pracitce by doing scales and Hanon; well now i do Liszt (for finger independence and strength/loose wrist)[the slowest tempo in my warmup session], Hanon (finger speed and dexterity)[medium tempo in my warmup session], then scales (for greater speed and finger accents)[fstest tempo in my warmup session]. all this takes about 45 minutes to an hour and im set to work on what ever i need to for the next several hours!
if you want to be fluent in all kinds of area of pianism (especialy Liszt!), this book is for you BUT it can not be set on a booksehlf! if you dont have a piano do some of the exercises on a hard surfice! 400something pages is alot and some of it will seem impossable but technique will not come over night....just as the world was not created in a day!
Pre-Requiments for the user of the book would be:
1. Patiance with yourself! if something doesnt come out perfect the first time, come back to it later! you brain is working but sometimes we shove information into it instead of programming the information! our brains need time to internalize what new task we give it. the brain is far more supirrior than any computer we humans can make!
2. Time...plenty of it! it takes time to learn any new skill! pianists are by no means exemped from this law!
3. an open mind!...if your mind is not on what your doing, it is then pointless continuing the task! just stop right there! your mind needs to be working just as much (if not MORE) as your fingers are working.
best of luck!
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